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silla was born out of a passion for beautiful objects: special pieces with aesthetic and historical significance. In 2009, after years of collecting, Andrew Silla and his wife Grace began to work privately with clients from their residence in Southern Maryland. Quickly outgrowing the space, the business was moved from Maryland to Pennsylvania in 2012 and after several warehouse location changes it was firmly settled in the present brick-and-mortar location in downtown Shippensburg.

The 9000 square foot brick-and-mortar gallery is home to a large collection of works of art and estate jewelry. We specialize in sculpture circa 1860 through 1930 with a particular emphasis on the Animaliers and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.

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"Spanish Rider on Mule", bronze sculpture | Isidore Bonheur

Bonheur, Isidore

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catalog text

Base edge stamped PEYROL, signed in cast “I. Bonheur”, circa 1870s
Item # 004KLI11K 

An exquisitely detailed model of a Spanish peasant rider trudging downhill on a blanketed mule, the work is characteristic of Isidore Bonheur in his careful and accurate depiction of the animal’s calm and easy-going demeanor as it places one foot before the other. Properly scaling out the proportions for both the rider and the mule is difficult and this is a complex scene to pull off - Bonheur accomplishes this with flawless realism, as the rider leans backwards and braces himself against the slight slope. An intricate display of blankets with twisted tassels, the provincial riding blanket beneath this with long knotted tassels swinging with the donkey’s legs and the intricate tasseled crown worn by the donkey are all depicted with crisp and convincing realism. The rocky base is signed in his typical blocked script “I BONHEUR” along the front left. Like the majority of his works, the sculpture was cast by his brother-in-law, Hippolyte Peyrol, and is stamped to the reverse “PEYROL” in a tiny marking. It is a fine cast with dozens of individually elements brought together flawlessly. The underside shows standard base construction for the Peyrol firm, with a relatively clean core and peened joinery.

Literature & Further Reading:

  • Animals in Bronze, Christopher Payne, p. 311, f. H101 [present example]
  • E. Benezit Dictionary of Artists, Vol. II, Gründ, 2006, p. 802-803
  • The Bronzes of the Nineteenth Century: A Dictionary of Sculptors, Pierre Kjellberg, 1994, p. 101-106
  • Bronze Sculpture of Les Animaliers, Jane Horswell, 1971, p. 201-216
  • The Animaliers, James Mackay, 1973, p. 46-55
  • Art Bronzes, Michael Forrest, 1988, p. 471

Measurements: 14” H x 12 1/2” W x 4 1/8” D

While this sculpture is generally found with the rider carrying a short riding stick in his upper hand, the variation of the same figure holding reins in his upper hand is known. See Sotheby’s, Sale L08232, 11 November 2008, lot 31 for an example. It is a possibility that the reins in both sculptures are added in the absence of the staff.

Condition Report:
Original patina. Very slight wiggle to front leg of rider. Wear to edges of the base, some older wax and grime build-up in the crevices. Otherwise cleaned, waxed and polished; beautifully preserved.