Contact Us

  • silla | antiques & art
  • (717) 708-9017
  • 117 W Burd St. Shippensburg, PA 17257

About us

silla was born out of a passion for beautiful objects: special pieces with aesthetic and historical significance. In 2009, after years of collecting, Andrew Silla and his wife Grace began to work privately with clients from their residence in Southern Maryland. Quickly outgrowing the space, the business was moved from Maryland to Pennsylvania in 2012 and after several warehouse location changes it was firmly settled in the present brick-and-mortar location in downtown Shippensburg.

The 9000 square foot brick-and-mortar gallery is home to a large collection of works of art and estate jewelry. We specialize in sculpture circa 1860 through 1930 with a particular emphasis on the Animaliers and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.

Skip to main content

Alpine Mountains with Waterfall (1881) | Guido Hampe


Regular: $9,500.00
Sale: $6,500.00
Calculated at Checkout
Adding to cart… The item has been added
   Absolutely love it, but price is holding you back?   NOTIFY ME OF A PRICE DROP!

catalog text

German, 1839-1902

Alpine Landscape with Waterfall (1881)

Oil on canvas | signed lower right "G. Hampe '81"

Item #  106QJY03C 

An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature.

Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020.

The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation.

An article on the Charles S. Schultz home can be found by clicking here.

Artist Listings & Bibliography:

  • E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105

Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame]

Condition Report:
A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz residence. We have had it professionally conserved where the entire surface was very carefully cleaned and the varnish was removed - there are several places where the varnish had cross-linked with the oil and the discolored varnish was not able to be entirely removed (more apparently in some portions of the sky where trace grime remains present). The canvas was relined with BEVA on Belgian linen and tears were repaired - the only one affecting the visible surface is on the right side in the tree tops (a few inches below the sky). Losses were inpainted, including a few small specks in the sky, the repaired tear mid-right, the extreme edges where the frame rubs and other minor spots. Canvas was sealed in a traditional Damar varnish. The result is a very fine presentation, powerful in the original and very substantial giltwood frame.