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silla was born out of a passion for beautiful objects: special pieces with aesthetic and historical significance. In 2009, after years of collecting, Andrew Silla and his wife Grace began to work privately with clients from their residence in Southern Maryland. Quickly outgrowing the space, the business was moved from Maryland to Pennsylvania in 2012 and after several warehouse location changes it was firmly settled in the present brick-and-mortar location in downtown Shippensburg.

The 9000 square foot brick-and-mortar gallery is home to a large collection of works of art and estate jewelry. We specialize in sculpture circa 1860 through 1930 with a particular emphasis on the Animaliers and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.

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"Bélier Couché" (Resting Ram) | Rosa Bonheur & Peyrol

Bonheur, Rosa

SKU:
007HDU13P
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catalog text

"BÉLIER COUCHÉ" AFTER MODEL BY ROSA BONHEUR (FRENCH, 1822-1899)
Signed "Rosa B" | cold-stamped "450 Peyrol" | model circa 1846 | a fine lifetime cast
Item # 007HDU13P


Rightly considered rare, this exquisite sculpture by Rosa Bonheur is very infrequently found outside of museum collections. As specialists in Rosa Bonheur's work, we have had the opportunity to carry this cast several times, both as models marked by PEYROL but also works cast by them but unmarked.

The model is documented as "Bélier Couché", noted as such in Anna Klumpke's early biography on her friend ("Rosa Bonheur: Sa Vie, Son Oeuvre", 1908, p. 429).  It perfectly captures the essence of this resting ram, eyes closed and head half-hung in repose.  The ram's form is exacting, every detail captured with utmost realism, the sharpness and excellent texture of the work representative not only of the artist, but also of the notable skill of the foundry. This work was cast by Rosa Bonheur's brother-in-law Hippolyte Peyrol in his foundry. It retains the original and beautifully preserved golden-brown with hints of red in the surface patination, this silky and glowing under waxes. The base is signed Rosa B. in her typical script, the lip of the base verso stamped PEYROL. The underside has a likely original inscription of "57" in red pigment.

This work is listed in Bronzes of the 19th Century as having sale dimensions of 9 cm in height and original exhibition dimensions in 1973 at the Gallery of Decorative Arts at the Lausanne Les Animaliers du XIXe siecle record the dimensions as 9.5 cm x 22.5 cm.  It is pictured in both Animals in Bronze and The Animaliers (noted below).

Rosa's deep admiration for the paintings of Edwin Landseer is evident in her sensitive modeling subjects; the paintings and sculpture of Eugéne Verboeckhoven greatly influenced her strict adherence to realism, first in her sculpture and later in her paintings.  She was particularly good at capturing charming characteristics of her animals without any hint of the Romanticism found in works by academic animal sculpture of her contemporaries whereby emotions and expressions were imposed on the creatures with little regard for reality.

Literature and research:

  • Animals in Bronze, Christopher Payne, p. 370
  • The Animaliers, James Mackay, p. 49
  • Kjellberg, Pierre, "Bronzes of the 19th Century", page 106-7
  • Forrest, Michael, "Art Bronzes", page 471

Measurements: 8 3/4" wide x 4 3/4" deep x 3 1/4" high

Condition Report:
Carefully cleaned, polished and waxed. Remaining in very fine overall condition.