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silla was born out of a passion for beautiful objects: special pieces with aesthetic and historical significance. In 2009, after years of collecting, Andrew Silla and his wife Grace began to work privately with clients from their residence in Southern Maryland. Quickly outgrowing the space, the business was moved from Maryland to Pennsylvania in 2012 and after several warehouse location changes it was firmly settled in the present brick-and-mortar location in downtown Shippensburg.

The 9000 square foot brick-and-mortar gallery is home to a large collection of works of art and estate jewelry. We specialize in sculpture circa 1860 through 1930 with a particular emphasis on the Animaliers and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.

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"Boy and the Pig Sty", oil on canvas | Circle of George Morland

SKU:
911KUG16O
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catalog text

18TH CENTURY PAINTING OF "BOY AND THE PIGS STY" IN OIL ON CANVAS
Unsigned, in the circle of George Morland (London, 1763-1804)
Item # 911KUG16O 


A cheerful scene that captures a young boy breaking from his farm chores to check on the pigs, there is a naiveté and innocence to the composition and portrayal that is rather magnetic. The animals are rendered with an anthropomorphic stylizing, a few pigs smiling with contentment as they sleep in the hay and one gleefully attacking the trough. The work is unsigned, though close to the period of George Morland and certainly very heavily influenced by his work - note the position of the boy, which is identical to that of George Morland's sketch "Boy and Pigs" (1792), held in the collection of the Fine Arts Museum of San Francisco (acc. no. 1963.30.13416).

Labels & Markings:

  • Three dealer labels from prior acquisition from Sumpter Priddy III in Alexandria, VA
  • 19th century label from H.S. Bunnett & Co of London

Measurements: 14" H x 17 1/2" W [canvas]; 18 1/4" H x 21 7/8" W x 1 7/8" D [frame]

Condition Report:
Early and possibly original frame with wear/loss and inpainting. Scattered inpainting throughout somewhat obscured by fresh varnish. Light surface craquelure. Relined.