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silla was born out of a passion for beautiful objects: special pieces with aesthetic and historical significance. In 2009, after years of collecting, Andrew Silla and his wife Grace began to work privately with clients from their residence in Southern Maryland. Quickly outgrowing the space, the business was moved from Maryland to Pennsylvania in 2012 and after several warehouse location changes it was firmly settled in the present brick-and-mortar location in downtown Shippensburg.

The 9000 square foot brick-and-mortar gallery is home to a large collection of works of art and estate jewelry. We specialize in sculpture circa 1860 through 1930 with a particular emphasis on the Animaliers and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.

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"Dueling Cavaliers", bronze sculpture | Edouard Drouot

Drouot, Edouard

SKU:
106VWP17U

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catalog text

"DUELING CAVALIERS"
After a model by Edouard Drouot
Patinated bronze over rouge marble | Signed in base "E. Drouot" | cast circa early 20th century
Item # 106VWP17U 

An infrequently scene sculpture by Drouot, it is an engaging historical genre scene depicting two dueling cavaliers complete in period garment. His modeling of both is most convincing with one figure lunging forward with his rapier while the other figure remains firmly footed and ready to lay a blow. The vigorous motion of both figures is captured in the latent movement of their garments and the backward fling of the defender's hair. The model is situated over a rouge marble base with a stepped cove-molded edge and it is signed on the naturalistic ground in his typical scrolling signature "E. Drouot".

ARTIST
Born in Sommevoire in the Haut Marne region of France on 3rd April 1859, Edouard Drouot spent his early his career as a successful genre painter. He studied sculpture under the renowned Mathurin Moreau (French, 1822-1912) at the École des Beaux-Arts in Paris and Emile Thomas (French, 1817-1882), a prominent sculptor responsible for numerous state commissions while producing portraits, monuments, allegorical and mythological works in marble and bronze. In 1882 he made his debut at the Paris Salons.

He had varied interests and cannot really be tied to a specific style or theme in his work; this malleability an ability to tell a story in a multitude of styles was perhaps his greatest strength. From Art Deco studies of labor to mythological depictions in the Romantic taste, from trying his hand at animalier subjects to wonderfully fluid Art Nouveau studies of allegory, Drouot produced a large body of very successful work. His comfort level was clearly in sculpting the human form, though his Animalier subjects are admirable and he incorporated animals in a few of his works, perhaps most convincingly in his dramatic group of Ésclave Combattant un Tigre. These North African and Middle Eastern subjects are almost without exception passionate and wild works, exotic and full of action. He further produced a series of North American Indian subjects.

It is however by his mastery of the allegorical figures that he is best known and appreciated. These are distinguished by a sense of movement and expression that is always dramatic, particularly evident in his Salon exhibit of Printemps in 1897, L’Echo with its swirling drapery or his passionate Allegory of Dusk. In 1892 he was awarded third-class medal at Salon and achieved honorable mention at the Exposition Universelle in Paris of 1900 for L'Amateur. He continued to exhibit well into the 20th century, presenting L'Eveil du Printemps in 1906 and Andromache in 1912. Edouard Drouot died in Paris in 1945.


Measurements: 11 1/2" H x 6 1/4" D x 17 3/4" W

Condition Report:
Good original condition. Very light handling wear to the original patina.