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  • French Bronze Sculpture of "Resting Ram" by Rosa Bonheur
  • French Bronze Sculpture of "Resting Ram" by Rosa Bonheur
  • French Bronze Sculpture of "Resting Ram" by Rosa Bonheur
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"Bélier Couché", bronze sculpture | Rosa Bonheur & Peyrol

ITEM #: 007HDU13P

Price:  $3,250.00

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Signed "Rosa B" | cold-stamped "450 Peyrol" | model circa 1846 | a fine lifetime cast
Item # 007HDU13P

Rightly considered rare, this exquisite sculpture by Rosa Bonheur is very infrequently found outside of museum collections. As specialists in Rosa Bonheur's work, we have had the opportunity to carry this cast several times, both as models marked by PEYROL but also works cast by them but unmarked.

The model is documented as "Bélier Couché", noted as such in Anna Klumpke's early biography on her friend ("Rosa Bonheur: Sa Vie, Son Oeuvre", 1908, p. 429).  It perfectly captures the essence of this resting ram, eyes closed and head half-hung in repose.  The ram's form is exacting, every detail captured with utmost realism, the sharpness and excellent texture of the work representative not only of the artist, but also of the notable skill of the foundry. This work was cast by Rosa Bonheur's brother-in-law Hippolyte Peyrol in his foundry. It retains the original and beautifully preserved golden-brown with hints of red in the surface patination, this silky and glowing under waxes. The base is signed Rosa B. in her typical script, the lip of the base verso stamped PEYROL. The underside has a likely original inscription of "57" in red pigment.

This work is listed in Bronzes of the 19th Century as having sale dimensions of 9 cm in height and original exhibition dimensions in 1973 at the Gallery of Decorative Arts at the Lausanne Les Animaliers du XIXe siecle record the dimensions as 9.5 cm x 22.5 cm.  It is pictured in both Animals in Bronze and The Animaliers (noted below).

Rosa's deep admiration for the paintings of Edwin Landseer is evident in her sensitive modeling subjects; the paintings and sculpture of Eugéne Verboeckhoven greatly influenced her strict adherence to realism, first in her sculpture and later in her paintings.  She was particularly good at capturing charming characteristics of her animals without any hint of the Romanticism found in works by academic animal sculpture of her contemporaries whereby emotions and expressions were imposed on the creatures with little regard for reality.

Literature and research:

  • Animals in Bronze, Christopher Payne, p. 370
  • The Animaliers, James Mackay, p. 49
  • Kjellberg, Pierre, "Bronzes of the 19th Century", page 106-7
  • Forrest, Michael, "Art Bronzes", page 471

Measurements: 8 3/4" wide x 4 3/4" deep x 3 1/4" high

Condition Report:
Carefully cleaned, polished and waxed. Remaining in very fine overall condition.